Own a literal piece of NBA history with this stunning original 1:1 original color film from the legendary Bulls vs. Pacers match-up at the United Center. Captured by acclaimed photographer Don Marshall, this is the unique original camera film—the very source from which all prints are produced. This image has never before been published and is the first viewing opportunity the general public has ever had.
Photo is taken from a dramatic "floor-cam" perspective, and features a determined former Defensive Player of the Year Michael Jordan lunging for ball possession. This remarkable full-frame composition suspends this single moment in time capturing NBA legends in the heat of the 1990s action.
The low-angle composition and staggering clarity of the original camera film preserves every bead of sweat and the electric energy of the Chicago crowd in high-fidelity.
The Collection Includes:
The Original Camera Film: The winning bidder receives the single one-of-a-kind color original camera film from the Don Marshall Library. The film is featured inside a protective magnetic case, which shields the item and allows for easy viewing. This "sensory time capsule" is a stunning investment piece for any serious sports gallery, executive office, or elite collection.
Signed Print Duo: Two high-quality 13×19" prints of the image, printed on premium Lustre Photo paper. Each is hand-signed by photographer Don Marshall—perfect for immediate framing and display.
About the Photographer:
Don Marshall is a renowned sports and lifestyle photographer whose lens captured the golden era of 1990s Chicago sports. His "floor-cam" perspective and mastery of high-speed transparency film allowed him to freeze moments of raw athletic intensity that typical press cameras missed. Marshall’s work is characterized by its breathtaking clarity and "you are there" immersion.
Recently featured on the Donley Auctions Unfiltered Podcast, the Marshall Library is widely considered a premier archive of Chicago Bulls history. This lot represents a rare opportunity to own a primary source artifact—the original film—directly from his storied archives.
